So In Flagranti is super duper important to the Rhythm Sektion, mostly because of their music, also because of their sexy sexy ways. For years, they’ve been a household name at RS HQ, and Saturday night, all of Austin is gonna find out why. In Flagranti with Learning Secrets is THIS weekend at Beauty Bar. RSVP here and get in for $8. The show is 18+ so all the kids can go a lil crazy. These guys needs no introduction, so I’m not giving you one. Here’s a brief interview with them. Enjoy one of their new songs right here and the questions below. see everyone Saturday night.
RS: 1. Texas is awful thankful for what looks like 3 of 5 dates in the state on this run. How do you like playing here? Are you looking forward to anything specific in Austin?
the only place i have been to in texas so far is el paso, and i had a great time. so i am defenitely looking forward to austin.
RS: How did you two end up together making music in the first place?
it’s quite a long story. when we first met, we had similar interests in music and we started Codek records in 1996. at that time i was doing other music projects and alex was designing all the sleeves/poster/fliers etc.. for the label but at the same time we always shared musical ideas. one day i came across a DAT tape full of 70’s disco tunes, or just short snippets of tunes that he recorded for another producer as inspiration, but nothing happened with it. when i started listening to the it i instantly sampled everything and started chopping it up and making tracks. i finished a couple tunes and played it to alex and we decided to release it as In Flagranti, just for the fun of it. that was in 2002.
RS: What specific music or artists influenced you early on? Are there any peculiar left field things from your childhood?
actually my childhood influence was pop music from the late 60’s and early 70’s one of the first pop songs that i was conscious of was The Tremeloes and the song called My Little Lady.
RS: The new album “Worse For Wear” just came out earlier this month, and let me tell you I think it’s absolutely rad. As the third full-length, what are some of the different encounters you guys face as opposed to just prepping a single, or remixing a friend’s work?
a single for us is usually more in the moment. it’s something we want to express now. an album is a longer process. in our case it’s been a two year process. remixes are like exercises.
RS: Speaking of friends, who are your closest allies in the scene lately? Any new remixes of someone else’s stuff coming out? Remixes of your stuff to follow?
allies is a big word, i would not use it in this context. for us it is more fluid. you meet and encounter people who sort of do similar things and have to go through some of the same hardships and also enjoy some of the same pleasures that come from working in and around the music/club circles. we have recently done mixes for hercules and love affair, the superman lovers, shake aletti, lazy disco… can’t remember all of them. and we are also getting a few more track from our album remixed from artists such as, shit robot, moullinex, stopmakingme, fabrizio mammarella….
RS: I read somewhere you guys make your music separately – What kinds of techniques and production toys went into making this record? How does the process work?
yes we never worked in the same room together except going over things when we dj together. the way we have it generally split is, i am the music maker and alex is the conceptualizer and researcher. usually alex sends me loads of music samples that he records from vinyl he just both on the fleamarket. i then listen to everything and start chopping the things that are useful and create a library of sounds and loops. but we also sample a lot from other sources like youtube, old movies… anything really. for the music production i work in ableton live and then mix everything on to reel to reel tape machine to get that vintage sound and then send it to alex for some more editing. when we both agree that it’s good, we release it.
RS: The record definitely sounds a little seedier in places than earlier In Flagranti stuff. Was this a conscious move? What sort of images and music inspired the current through “Worse For Wear”?
there was nothing in particular that influenced this album. the only thing i can think of is that i moved to london in 2009 and live there was different for me then living in NY.













